Tuesday, October 24, 2017

The Snowman (the incomplete release) - 13 Nerdy Nights of Horror - Day 9



            Not many people are going to ask this question, but I will: Michael Fassbender, what happened to you? Seriously, I want to know what the hell happened to you? You’re one of the most talented and appealing actors working today, and with two Oscar nominations under your belt. But for some reason, aside from the “X-Men: Beginnings” saga, you somehow end up in some of the most underwhelming films I had seen the past few years. Even the Steve Jobs film, despite the praise it got, I still found to be a film I didn’t care about whatsoever.

Last year, Fassbender was in the movie “Assassin’s Creed,” which he also produced. And if any of you have seen my “Top 15 Worst Films of 2016,” you would know that the film tied for the #2 spot. The acting was boring, the cinematography was murky and unpleasant, and the story was so convoluted and complex, that it felt like they were trying to work in an entire season of an HBO show into a less than three-hour movie. It was then after seeing that movie, I was led to believe that Michael Fassbender could never put his name to something worse than that…and then 10 months later, I see “The Snowman,” and was immediately proven wrong like I was told the apple wasn’t really a banana.

“The Snowman” is a film that insults me in ways that I didn’t think it would even go to. What’s the plot? I can’t tell you, because the film ITSELF doesn’t even bother to tell you. This film is directed, edited, and written, as if it was something I would write as a teenager, if I wanted to make a detective story. Actually, I take it; I COULD MAKE SOMETHING BETTER THAN THIS! Everything that you see in this film is every stock, cliché, and stereotypical shit point that is found in just about any detective story, that I’m surprised they didn’t have a character go “elementary, my good such-and-such.” I mean, it’s about an alcoholic detective, who is separated from his family, trying to solve a case of murders that will end up with his female partner killed, but solve it and become closer to his family…riveting.

The director of this film was Tomas Alfredson, the one behind “Let the Right One In” and “Tinker Taylor Soldier Spy.” I know it’s been six years since his last movie, but he’s still a very talented guy. And from what I’m told, the book this movie is based on has been said to be really good. Of course, it’s the seventh book in a series, so maybe jumping ahead might not have been the smartest idea. Or better yet, maybe the studio should not have given him such a tight deadline that made it so 10-15% of the script was never filmed, emphasizing even more just how cheap this movie is. Also, it’s a mostly snowy field setting, so that makes it even more boring.

Michael Fassbender…again, what happened to you? You can tell he’s trying to carry this film as much as possible, but the script and editing are so poor at trying to piece together a story for him to follow, it felt like he gave up at some point without telling the audience about it. Honestly, I’m convinced that the people behind this were just following Fassbender with a film camera while he was on a drinking binge to stomach his career. And it’s not just him that’s wasted, it’s everybody here in this movie. Rebecca Ferguson, Charlotte Gainsbourg, Toby Jones, James D’Arcy, Chloe Sevigny, J.K. Simmons, and even poor Val Kilmer, still fighting cancer, was dragged into this cluster fuck. None of them are engaging, the acting from just about each of them is mediocre, and every single one of them acts suspicious for the sake of being suspicious. You already know who the killer ends up being, because the movie makes it obvious, but it also feels the need to remind you of who ISN’T the killer, but still make them look like a suspect.

Now you’re probably wondering, throughout all of the horse-shit that is present within the film, how does it all end? Well, it’s just some guy, who lost his mom as a kid. Does it amount to anything? No. Does it symbolize Michael Fassbender to appreciate the family he has? No. Does he evolve from being the cliché drunk who sleeps in the park? No. Oh, and the way villain dies, is he falls into the lake without seeing the hole…they literally defeat the villain, with a cartoon gag.

People, please…don’t see “The Snowman.” I implore you, stay as far away from this movie as humanly possible. It’s a film that should not have happened, and the fact that it did is terrifying. It had a great cast, a great director, a story that’s well acclaimed, but it’s a case of a studio just not caring about it. If you’re not even going to allow the people who you hired to finish the movie you commissioned, get another job! And with that, “The Snowman” is the single worst detective story I have ever seen.


Rating: 1/10

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