Johnny
Depp still stands as one of the most iconic working actors today. Ever since
his debut in 1984 with Wes Craven’s “A Nightmare on Elm Street,” he’s appeared
in many films that have become classic in an instant. “Fear and Loathing,”
“Finding Neverland,” “Platoon,” “Donnie Brasco,” “Cry-Baby,” and “Ed Wood,” just
to name the few. He’s done plenty of films to show just how good of an actor he
can be and go further and beyond with it. But that doesn’t mean he’s had a
share of bad films as well, like “The Man Who Cried,” “The Tourist,” “Dark
Shadows,” “Ninth Gate,” and so forth.
This
time, Depp has teamed up with “Pirates of the Caribbean” director, Gore
Verbinski, once again, for Disney’s big budget re-imagining to “The Lone
Ranger,” marking it as the first Lone Ranger movie in over thirty years. Now, I never actually was too big on the Lone
Ranger, or even knew anyone who WAS a fan of the character, so I’m only going
to be judging this film on its own. Before I even saw the film, I’ve heard SO much
hatred upon this film, to where Rotten Tomatoes had it at a 25% rating. But
that didn’t stop me from seeing this at the premiere showing. And yes, there
are many things that I do agree with people that didn’t make the film work and
falls flat…However, I didn’t really find it AS bad as people were making it out
to be. Also, I’d like to point out that there are spoilers ahead, so I’d
suggest you’d skip over to the rating, or continue on with reading what I have
to say.
The
movie tells of John Reid, a lawyer who arrives into town to visit his brother
and family, all while on the transport of Butch Cavendish, a cannibalistic
outlaw. When Butch escapes, John joins his brother and his friends, now
deputized as a ranger, but are then gunned down by Butch. John survives, and is
told is a spirit walker by Tonto, a native that John arrested after Butch
escaped, who both now want to hunt down Butch and take revenge for killing
people that they held dear to them.
First
off, let’s get the obvious one out of the way, and that’s Johnny Depp. Now my
problem with Depp in the role wasn’t the fact that he wasn’t Indian, and he was
just saying he had ancestry and a Native mother to prove he IS part Native; I’m
sick of hearing those arguments over and over again, and just the minute it
comes into play just gives me a headache; no, my problem was the fact that Depp
wasn’t really playing a different character, and was just playing Jack Sparrow
while talking Indian. Don’t get me wrong, I enjoy the Jack Sparrow character,
but I find it completely unnecessary outside of the “Pirates” series. It could
have worked out fine if Depp kept it subtle throughout the film, but it’s there
for most of the film, and it gets old really fast. Depp, we know you got an
Oscar nomination for it, we don’t need to see it in EVERYTHING you’re in now.
Another thing that really didn’t
work was some of the comedy moments, which really took the mood from the scene
it was in, like a chase scene that has a horse drinking from a bottle of rum or
a very serious back-story followed by some dumbass line. Disney, you don’t need
to make this “Pirates of the Caribbean,” we already have enough of that from
Depp.
Also
the story is basically a rehash of “Who Framed Roger Rabbit?” and no; I’m not
kidding when I say that. A hero whose apart of the law, whose brother is killed
by a cartoony villain, goes after him with the help of another cartoony
character, who had a thing with a sexy-redhead thrown in somewhere; that pretty
much “Roger Rabbit,” with Lone Ranger characters put into the mix of things. Speaking
of sexy-redhead, Helena Bonham Carter appears in this movie, and is only in the
film for two scenes; and no, that one moment in the beginning where she’s
seeing the railroad being built does not count. She’s supposed to be a
character that helps out Reid and Tonto, especially in the third act, but with
how they’ve underused her and how they’ve had other characters, all it does is
make you wonder what the point of having her was, especially when her character
rips off “Planet Terror.”
Now the
one thing that I felt was completely pointless were the scenes that took place
in the 1930’s, which start off the film. The events of the Lone Ranger
happening were told through Tonto, to a kid looking at exhibits in a fair. Those
scenes didn’t really add much to the film, other than it just to be there for
the sake of comedy. And it doesn’t help much that the kid’s the boy from “Spy
Kids 4.”
Also,
with the Lone Ranger being a “spirit walker” in which he can’t be killed, they
don’t really do much with that sort of thing. There’s even a scene where Reid
doesn’t stops believing Tonto about it, and instead of having him shot to make
him believe he is, they just have Tonto save Reid from that; but then again,
Reid was only shot in the shoulder when he and his brother were ambushed, so I
guess that breaks that argument.
Now
with all that I’ve said, what made me think this film wasn’t as bad as people
made it out to be? Well for starters, William Fichtner as Butch Cavendish was very
enjoyable to watch. Fichtner really knows how to bring out a good villain,
being the highlights of even some of the weakest of films. Hell, the things
that he does in this film, and just the amount of what they’ve shown in this
film, this came pretty close to being Disney’s first R-rated movie.
While I wasn’t too big on Depp as
Tonto, I got to give them props for giving them a proper back-story to why he
has a vendetta against Butch, as well as explaining how the whole “spirit
walker” thing came into play for him. There’s also Armie Hammer as John Reid,
the Lone Ranger himself. People complained that this guy was unlikable, because
he makes dumb decisions like not killing Butch and instead arresting him. Well,
he’s already been established as a man of the law, so he does all those on
instinct, especially when he’s admitted he’s not a cruel man. It helps within
the final act when he puts all of that aside to finally do something right, and
I didn’t have any problem with what they did with that.
People thought that the film should
have just been called “Tonto and the Lone Ranger,” since it focused more on
Tonto than it did the actual Lone Ranger himself. Yes, I do agree that is a
legitimate gripe, but I felt that they explained enough about John Reid as a
character throughout the first act, and you can tell in his expression that
he’s been through some tough times.
What I
also enjoyed about this film were the action scenes, most notable the final
action scene in the end. If anything, these are probably the best action scenes
that I’ve seen in any Western flick. The stunt work, the angles, the shootouts,
the tension, all of it tied with the Lone Ranger theme playing, thanks to
composer Hans Zimmer bringing that to life. Even with all the problems with
this film, this still stands as one of the most exciting climaxes I have ever
seen. However, it barely makes up for some of the other stuff that came about,
through and through. If this film had made a few adjustments, this would have
been an interesting pilot for a new Lone Ranger TV series on AMC.
Overall,
while “The Lone Ranger” isn’t quite as bad as everyone made it out to be, it
still doesn’t make itself a good movie. It has some redeeming qualities, but in
the end it just falls flat as being a very mediocre film. But would the
positives still make it worth seeing in theaters? Of course. Like I said, the Lone
Ranger himself is a likable character, and there are some damn good action
scenes, especially with the climax, and there are enjoyments with the villain. If
this film took out all those mistakes and wasn’t bombing as badly, though it
wouldn’t have been a problem if it didn’t cost $300 million, then I would have
loved to see a sequel, or maybe even a full-on trilogy. But instead, we have
this.
Rating: 5/10
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