A lot of times when we see high
school teen movies by today’s standards, we tend to make comments about how
they’re not as good as they used to be in the 80’s. I think a prime reason for
that is because most of them don’t seem to take as many risks, preferring to get
box office revenue from a watered down PG-13 version of what high school was
supposedly like, as opposed to what John Hughes did by showing us the full on
reality. Sure, there are films in recent memory like “The Spectacular Now,” “Paper
Towns,” and “The Perks of Being a Wallflower,” that manage to capture it right,
but at the same time you’ll get films like the remake of “Endless Love” and the
“American Pie” franchise that just make you cringe at how aggravating it makes
itself out to be. However, there is a sliver of hope, with today’s topic, “The
Edge of Seventeen.”
The film is about the life of Nadine
Franklin, a teenage girl entering her junior year of high school, but isn’t
quite the social butterfly. When her best friend, Krista, sleeps with Nadine’s
douchebag brother, Darian, their friendship ends up in deep shit. This leads to
Nadine going through a bit of a transitional period about how things have
turned out in life.
So what did I think of this film?
Surprisingly enough, this turned out being one of my favorite movies of 2016,
and I’m proud to say that. Writer/director, Kelly Fremon Craig, delivered an
excellent film that just about everyone can find something to relate to, even
if it’s a coming-of-age story about a teenage girl. Everyone has had that
awkward phase in high school, regardless of who or what they were, moments
where it feels like proper socializing is only something everyone but you can
do right. We’ve all been there at some point.
Usually when it comes to stories
like these, we either have to deal with stereotypes like the meat-headed jocks
or the ditzy dumb sluts, depending on whose perspective it’s taken from.
However, this film doesn’t go that route on any of them. Each of the characters
in this film feel like actual people, especially with their dialogue, leaving
you in tears from laughing or from feeling sympathetic for their situation.
Ever since her film debut in the
remake of “True Grit,” Hailee Steinfeld has only been getting better and better
with each passing role. And as Nadine, she truly brings to life one of the most
likable protagonists that I’ve seen this year. At first, you think she’d just
be some angsty teen who acts moody because of one really bad day, but not
exactly true. She’s had this attitude throughout her life, thinking that only a
select few people really understand her and the rest of the world thinks she’s
just a whiner. Same can be said for the rest of the cast, consisting of Blake
Jenner as Darian, Haley Lu Richardson as Krista, and even Hayden Szeto as
Nadine’s awkward admirer, Erwin. They all have traits that just about everyone
in the audience can relate to and have a deep connection with.
However, the scene stealer is, of
course, Woody Harrelson as Nadine’s teacher. A lot of what he says would
typically be something a teacher would risk their job saying, but Harrelson’s
delivery makes it feel so genuine that it’s hard not to appreciate. Whether he’d
have something helpful to say or make some kind of sarcastic comment, you can’t
help but love it. The scenes that Steinfeld and Harrelson share together are
definitely the best parts, and they alone are worth recommending.
While there are some big
blockbusters out right now, such as “Arrival,” “Fantastic Beasts,” and “Moana,”
don’t let this film get lost in the crowd. Much like “The Perks of Being a
Wallflower” and “The Spectacular Now,” it feels like a love letter to the films
of John Hughes, and that his legacy has left an impact on future film makers. I
expect this film will be looked back on with fond memories in ten to twenty
years, much like “The Breakfast Club” and “Sixteen Candles,” and I hope more
people feel the same way. It’s definitely one of my favorite films of the year,
and I can’t wait to buy this film when it comes out on blu-ray.
Rating: 10/10
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