The 1950's and 1960's seemed like the
perfect times to grow up, in terms of music culture. A lot of the
greatest musicians came out of those two decades, one of them being
the Brian Wilson. For those who don't know, Brian Wilson is best
known for being one of the original members of the Beach Boys,
writing and performing their songs, with their most famous album
being “Pet Sounds.” What everybody knows about Wilson is from his
performing life, but a lot of the stuff that happened in his personal
life is a different and much darker story than you would imagine.
Luckily for those curious, that story is brought to us in the
bio-pic, “Love & Mercy.”
“Love & Mercy” depicts
Wilson's life in two separate era's: In the 1960's, he suffers a
panic attack and decides to resign from touring and work on “Pet
Sounds,” which he believes will be the greatest album ever made. In
the 1980's, Brian meets his second wife, Melinda, who helps him
break away from the pharmacological and legal thrall of Eugene Landy.
Wilson didn't have much to input
during the film's making, but he has said that the film was both
factual and very tough to watch. After seeing the film myself, I can
definitely see why he would say the latter. “Love & Mercy” is
an emotionally intense film to sit through, but it's handled in the
best possible way. Not only is this one of the best films of the
year, it's one of the best musician bio-pics I've ever seen. The
film's director, Bill Pohlad, and writers, Michael Alan Lerner and
Oren Moverman, really knew how to handle such a work of history such
as this one. It could have easily been a story that started out with
the times in the 60's and then finish with the 80's, but this one
cuts back and forth between the two. They show us Brian's decent into
madness with trying to make an album at its most perfect, all the
while showing him find love and feel happy again.
Paul Giamatti plays Eugene Landy,
Brian's abusive therapist. Giamatti really gave a really chilling
performance, showing us the kind of cold and bitter man Landy was,
over-medicating and manipulating Brian to work on albums that way
they both stay in business. It shows just how despicable he was and
Giamatti was the perfect actor to handle that. Elizabeth Banks as
Melinda was another performance that was handled with excellence. The
chemistry she has with Brian onscreen, it's genuine and not at all like
Banks is performing. You only see Melinda and her concerns for what
happens to Brian the more she's with him. It feels like Banks might
be a strong contender for Best Supporting Actress, but I doubt the
Oscars are going to nominate her. If they do, I hope she walks away
with the trophy, because she deserves it.
However, the two that I most
definitely hope get nominated are the two that play Brian Wilson.
Paul Dano and John Cusack give the best performances of their careers that are deserving of Oscar nominations. Much like with Banks
as Melinda, I did buy that Cusack was Brian Wilson in the 80's with
his confused and broken down presence, and that Dano was Wilson in
the 60's with his ambition and conflicted mindset of hearing voices
in his head. It was infectiously good to watch the two work off of
others around them, and I don't care who gets the Supporting or
Leading nomination, as long as they get nominated at the Oscars for
their performances.
When I first saw this film back in
June, after suffering through the mediocrity that was “Jurassic
World,” I didn't really know what this film was about or even see a
trailer for it prior. It was just one of those gambles that I made
and luckily landed on the right color. I highly, highly, HIGHLY
recommend seeing this movie if you haven't. If you're a Beach Boys
fan, there is no reason to say “no” to watching this. If you
missed your chance to see this in theaters, don't miss your chance to
watch it on home video.
Rating: 10/10
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