Monday, April 13, 2015

(500) Days of Summer: My All Time Favorite Movie


            Watching films is something that has grown on me as the years past, and it was only within the past four years that I've truly embraced it by doing film reviews on a blog. And each year, I've been able to watch about fifty to eighty films a year. So I figure, now is a good time for me to talk about a film that I consider to be my personal favorite, (500) Days of Summer.

            The film is about the relationship between Tom Hanson and Summer Finn, who worked together at a greeting card company...and that's it. There's no villain, there's no tragic accident, and none of the common traits you find in most romantic comedies. The film clearly states that it's not a love story, but rather a story ABOUT love. The film mostly seen through Tom's perspective, during those five hundred days he's had with Summer, as the title states, but the days aren't shown in chronological order. There are times when the days will jump back and forth, with two similar moments of when Tom was enjoying his relationship with her, and to a point further on when he wasn't. For example, we have a day where Tom goes into an elevator, clearly happy as he's with Summer, but then we jump to a day further on, where he steps out of the elevator, where he's depressed from the break-up. It may seem confusing at first, but the film does have a counter as to which day we're jumping to, so we're still on track of what's going on. After all, one of the first scenes we see Tom and Summer talking is when they break up, so we are aware of what day it happened. It's a pretty bold move to start your movie out with the couple breaking up, but it also gives us the interest on how they got to that point. I have to give credit to the writers of the film, Scott Neustadter and Michael H. Weber, for taking such bold moves with their script. Thankfully, these two are still able to get work, with the success of films such as The Spectacular Now and The Fault in Our Stars, which are both excellent films as well.

            It also helps to have your script be performed with a cast of great actors. Joseph Gordon-Levitt and Zooey Deschanel as Tom and Summer have great chemistry. The two work off of each other like actual people would in a relationship, instead of the typical movie couple. They do have weird quirks, they do have flaws with one another, they both have their ideal dreams that they've left behind, and you do buy their relationship during the scenes they're together. The furniture store scene is one of the best scenes in the movie, where they go through different kitchen scenery, pretending to be a couple home from work. They act like two little kids playing house in their backyard, and it shows just how well they work off each other. Chloe Grace Moretz plays Tom's sister, Rachel, who sort of acts like his therapist, giving him advice when he needs it, adding a twinge of irony to the situation. A grown man seeking help from his sister on the whole ordeal adds to the subtle humor, and Moretz shows us why she's one of the best young actresses of our generation.

            The film's final act is one of the most perfect endings to any film that I've seen. It's hard not to talk about this film, without also bringing up the ending, so spoiler alert. After not seeing her since she quit her job, Tom finally meets up with Summer again at a wedding, and she invites him to a party. During his time there, we see two perspectives, “expectations” and “reality.” He expects that this would be the night he and Summer get back together, but the truth is he barely talks to her, and spends most of the party alone. He soon finds out that the party is in celebration of her engagement to somebody, so he leaves and soon goes into a deeper depression. When he returns to work, he has a “fuck it all” moment, and quits, deciding to finally go into his dream job, architecture. When he meets Summer again, they have a moment where he can finally be happy without her, and wishes her the best. This ending has something that most love stories don't have: truth. Not everyone is going to win the girl in the end, not everyone has their dreams fulfilled, and this film shows us that without sugar-coating it. Marc Webb, really knows how to direct relationships, and this ending proves that immensely. Relationships are always the highlight of his films, and with this one being focused entirely on that, makes it a film that's impossible to hate.

            Ever since its release in 2009, (500) Days of Summer still remains to be my all-time favorite film. The acting, the writing, and the direction are handled to their absolute best, and I wouldn't have it any other way. It's a film that I'll go back to, and it gets better and better with each viewing. It's a film that I doubt will ever be topped any time soon, or any time after that.

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